Born in 1932 in Taiwan Taipei, National Taiwan Normal University, graduated from the art Department, Institute of National Taiwan Normal University art college class graduated. Once bred Yu Puxin Yu, PI, Chin King job, laying the Foundation of the traditional Chinese painting masters.
Art education 40, retired from National Taichung University of education teaching system, early thoughts on the necessity of modernization of Chinese painting, early commitment to painting techniques research and writing, Chinese ink and pointed the importance of pen, ink, water use, in addition to rubbing, ink, automatic techniques to create different visual effects of the traditional Chinese painting. 1975-1976 years has been involved in China's avant-garde painters in the United States travelling exhibition.
After 1975 the author caused by work in addition to teaching at school must visit Taiwan in central cities and counties, small towns, engaged in the promotion of national education and counseling, leaving the city, where surprises in Taiwan mountain, a local beauty, capture, save local beauty style tends to be realistic. Solo exhibitions group exhibitions at home and abroad many times many times.
Work: ink research and study on the teaching of elementary and junior high school painting, Surrealism art (painting), Zen painting of research influence, Huang Huizhen ink set, ink paintings and maturity.
Catholic art exhibition in the province, the province's labour art exhibition, da DUN fine arts exhibition, Central America, the province's student art exhibitions. ... Jury members. Members of the Taichung City Cultural Affairs Bureau to apply for exhibition reviews. Taichung, President of the artists ' Club
Central fine arts association, Taiwan artists Club (painting), a Chinese painting and calligraphy Institute. ... These members.
The reflection of modern Chinese painters of traditional painting, began in the input of new thought in the West. Contact in the late Qing dynasty, a large number of returned students advocated modern Western painting ideas started greatly affect China's traditional painting.
There are two ways of modernization of traditional Chinese painting in the early years of the Republic of. One inherit the essence of traditional Chinese painting, but waste Pro, express the true meaning, and in the techniques of "JI Gu Run of this" pioneer a new border. Another advocated the absorption of Western painting, painting techniques to improve Chinese painting, "run in the West" point of view.
Otherwise the Lingnan school, absorbing Japan experience innovation, but the concept is similar to "run in the West" proposal. This innovation has considerable achievements have had a profound impact.
1957 East, May draw will be set up, they started from painting theory and implementation, and promoting the modernization of Chinese art movement.
But they slowly walked into the ink in the process for the development of roads, such as the direction of the innovation of traditional Chinese painting since the early, to be classified in the "run in the West", however cited expressionist theories and methods. Artists have novelty and change them in all but the impact.